Wednesday 10 September 2008

Classical review: Saint Francis of Assisi

First performed in 1983, Saint Francis of Assisi is Messiaen's only opera house. One of the lofty achievements of late 20th century music, it is also among the most paradoxical. It is profoundly Christian and deeply, statically religious, though no other opera written in the last 100 quite so overtly returns the course to its origins in concepts of ritual theatre. The libretto, Messiaen's own, consists of eight severe meditations on the saint's life, in time the scotch is sensuous and at times overpoweringly physical. Messiaen's abiding vision of the manifestation of the divine in the material universe of discourse reaches its fullest expression in his portrait of Francis, wHO preached to the birds, heard the voice of God in music, and finally received Christ's stigmata in his own flesh.












The Proms performance was based circle Pierre Audi's recent production for Netherlands Opera, stagily reduced to the starkest of semi-stagings, and musically so fine as most to defy description. The conductor was Ingo Metzmacher, the orchestra the Hague Philharmonic. The quintessential Meztmacher combination of rigorous precision and in-your-face emotion is ideally suitable to the work, and this ranks, without doubt, among his finest achievements.

The orchestra, drilled to absolute ne plus ultra, played as if their lives depended on it, while the choral singing was superb in its intensity. The cast tellingly emphasised the physicality as well as the spirituality of Messiaen's vision. Heartthrob baritone Rod Gilfry played Francis as a magnetic visionary beguiled by the glory of creation, nevertheless fearful of both its imperfections and its transiency. The Angel, who teases, consoles and ultimately guides him was sensually sung dynasty by Mozart diva Heidi Grant-Murphy. A stupendous eve, and one of the great operatic achievements of recent years.

The Proms continue until Saturday. Details: bbc.co.uk/proms







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Sunday 31 August 2008

Reading 2008 review: Bloc Party

Name: Bloc Party

Where and when: Main stage, 8.15pm, Saturday, Reading,

Dress computer code: Non-branded casual wear, denim cut-offs and tweed shirts.

Who's observation: A bold coalesce, but chiefly the youth.

In a nutshell: Thanks to their 9/10 performance at Reading 2007 Bloc Party have been promoted up a one-armed bandit, from last year's later afternoon to this year's early evening. The benefit being that performing after sunset gives them the opportunity to use a very impressive, and probably quite expensive light render, which comes alive during a reworking of Prince's I Would Die for You bleeding into their single Flux. Prior to that, latest single Mercury (with support vocals from new bassist Daniel Lindegren) kicks off the band's first performance since the rush liberation of their third album Intimacy. The new caterpillar track One Month Off too features, just it's the oldies that guarantee the biggest roar - Banquet, The Prayer and Helicopter. The band have never hidden their love for Reading, where singer Kele Okereke and guitarist Russell Lissack first met many years agone, and play with the glow of a band who are performing at their spiritual home.

High point: Helicopter, the penultimate track before She's Hearing Voices, elicits the best response.

Low point: Inconsistent sound levels that crataegus laevigata or english hawthorn not be the defect of high winds, which bring Okereke's vocals to the prow at the expense of the intimately inaudible drums.

How unvoiced did they rock? For a band whose latest record album is called Intimacy, their sound and performance is pretty exacting stuff.







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Thursday 21 August 2008

U2 reissues 1983 live album, DVD

U2 [ ] testament release iI live 1983 recordings Sept. 30: "Live at Red Rocks," which will be available for the low gear time on DVD, and the remastered live record album, "Under a Blood Red Sky," which was recorded during the band's "War" tour.

"Live at Red Rocks," the band's first concert video, will include five-spot previously unreleased songs, a director's comment, digitally re-graded pictures and a 5.1 mix, according to a push release.

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A deluxe version featuring the "Live at Red Rocks" DVD and the "Under a Blood Red Sky" CD will be available. The set as well will be available as single saucer formats of the DVD and CD. An vinyl version of "Under a Blood Red Sky," as well will be available.





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Monday 11 August 2008

Diagnostic Evaluation Of Urinary Incontinence In Women

�UroToday.com - The incontinent patient is evaluated in order to make a presumptive diagnosing so that treatment can be offered. The evaluation begins with a history and a physical examination. The history focuses on the description of the patient's incontinence.


Although the history may define the patient's job it crataegus laevigata be shoddy. Urge incontinency may be triggered by activities such as coughing so that by history the patient would seem to get stress incontinence. A patient who only when complains of urge may also hold stress dissoluteness. Mixed self-gratification is very common with at least 65% of patients with stress self-gratification having associated urgency or urge incontinency. It crataegus laevigata be impossible to find out by history alone which is the more significant problem. Assessing the patient's bother and determining their expectations of treatment english hawthorn further guide how aggressive one needs to be both with the rating and the presentation of treatment options.


The of import parts of the physical exam ar an scrutiny of the abdomen and pelvis including a provocative stress screen. If the test is done resupine and thither is no leakage it should be repeated standing, as this will addition the patient's abdominal pressure. A uranalysis and a post-void rest (PVR) should be performed in all incontinent patients.


Incontinence questionnaires, voiding diaries, and tablet weight tests can provide more objective data than the history alone. Upper tract imaging is indicated in the patient with a history of hematuria and in patients with suspected hydroureteronephrosis. Other mental imagery may be useful to further assess other suspected pelvic pathology. Urodynamics ar performed to determine if the incontinency is due to bladder or urethral dysfunction or both, to assess if the patient has a storage or emptying job and lastly in an effort to identify patients whose upper tracts are at risk due to high vesica storage pressures.


The most common mental defectiveness of bladder function is detrusor over activity that causes urge incontinence. Detrusor over activity is defined as the inability to suppress nonvoluntary detrusor contractions during filling.1 A cystometrogram may fail to demonstrate whatever detrusor over activity in a patient who has urge incontinence by history. Any patients with symptoms of exhort incontinence by history should be presumed to have urge incontinency. The purpose of urodynamics is non to diagnose detrusor over activity simply to prove compliance, to diagnose stress incontinence, to rule extinct obstruction as a causal agent of either overflow or urge dissoluteness and to insure that the patient has a reasonable, safe, bladder capacity.


The diagnosing of stress incontinence is best made with measurement of the abdominal atmospheric pressure required to induce urinary loss, the Valsalva or abdominal news leak point pressure level and, or fluoroscopy. Stress incontinence is diagnosed if there is urethral loss of piss associated with an eL of abdominal pressure. Valsalva leak point pressure (VLPP) is secondhand to diagnose stress incontinency since it is ab pressure that is the expulsive force in stress incontinence. Measurement of the VLPP allows for quantification of the degree of urethral dysfunction. A normal urethra testament not leak at whatever pressure. A mobile urethra will leak at high abdominal pressures (>120 cm H2O) and a indisposed functioning intrinsic sphincter will leak at low pressures (

A pressure flow test is indicated in the patient in whom obstruction is suspected. Such patients would let in the patient who has had a prior procedure for stress incontinence, the patient with a turgid post evacuate residual or the patient role with pregnant prolapse and obstructive or irritative symptoms. No universally accepted definition of bladder outlet blockage in women exists. Usually bladder release obstruction is defined as high pressure-low flow. However since some women normally void with very low-pitched detrusor pressures it is difficult to define a high detrusor pressure in women. In patients with emptying problems or suspected neurogenic dysfunction an EMG may be indicated. Cystoscopy is indicated in the work up of some incontinent patients.


The valuation of the incontinent affected role consists of a history, a physical, urinalysis and a postvoid residual. Optional evaluative tests consist of a variety of urodynamic tests, tomography studies and cystoscopy.


References:

1. International Continence Society Committee on Standardization of Terminology of lour urinary tract function. Neurourol. Urodyn., 7; 1988, 403.

2. McGuire, E.J., Fitzpatrick, C.C., Wan, I., Bloom, D., Sanvordenker, J., Ritchey M., and Gormley, E.A., J Urol, Clinical assessment of urethral anatomical sphincter function. one hundred fifty: 1993, 1452.


Presented by: E. Ann Gormley, MD, FACS, at the Masters in Urology Meeting - July 31, 2008 - August 2, 2008, Elbow Beach Resort, Bermuda

UroToday - the alone urology web site with original content written by globular urology headstone opinion leadership actively engaged in clinical practice.


To access the latest urology news releases from UroToday, go to:
www.urotoday.com


Copyright � 2008 - UroToday



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Wednesday 6 August 2008

Evan Parker and Keith Rowe

Evan Parker and Keith Rowe   
Artist: Evan Parker and Keith Rowe

   Genre(s): 
Dance
   



Discography:


Dark Rags   
 Dark Rags

   Year: 2000   
Tracks: 2




 






Tuesday 24 June 2008

Way Out West

Way Out West   
Artist: Way Out West

   Genre(s): 
Trance
   Breakbeat
   Electronic
   



Discography:


The Fall WEB   
 The Fall WEB

   Year: 2007   
Tracks: 1


Dont Forget Me   
 Dont Forget Me

   Year: 2005   
Tracks: 8


2005-04-03   
 2005-04-03

   Year: 2005   
Tracks: 1


Don't Look Now   
 Don't Look Now

   Year: 2004   
Tracks: 12


Anything But You CDM   
 Anything But You CDM

   Year: 2004   
Tracks: 1


Way Out West   
 Way Out West

   Year: 2001   
Tracks: 10


Intensify   
 Intensify

   Year: 2001   
Tracks: 12




Conspicuous from the rest of Bristol's electronica prospect by the absence of trip-hop or jungle leanings in their productions, Way Out West have rather chased straightahead house and trance with closer ties to progressive British dancefloors than American hip-hop. The dyad of Jody Wisternoff and Nick Warren first came together in the mid-'90s; Wisternoff was a veteran producer wHO had number one recorded at the historic period of 14 (with beau Bristolian house artists Smith & Mighty) spell Warren was a high profile Balearic DJ and clubnight-promoter influenced by the sounds of Madchester. The dyad began recording, and by 1996 their undivided "The Gift" had get a big mover on dancefloors and the tuner as well, thanks to a British give ear which put-upon the song. Signed to Deconstruction, Way Out West released their self-titled debut album in 1997. A change of venue, to Distinct'ive, preceded the release of 2001's Intensify, and afterwards a three-year meanwhile the duet followed with the similar-sounding Don't Look Now. Warren, world Health Organization spent time as the resident DJ at super-club Cream, has released several compilations detailing his commixture skills.





Jim O'rourke

Sunday 15 June 2008

Nocte Obducta

Nocte Obducta   
Artist: Nocte Obducta

   Genre(s): 
Metal: Death,Black
   Other
   



Discography:


Galgendammerung - Von Nebel, Blut und Totgeburten   
 Galgendammerung - Von Nebel, Blut und Totgeburten

   Year: 2002   
Tracks: 9


Galgendammerung   
 Galgendammerung

   Year: 2002   
Tracks: 9